Time After Time (1979) Movie Review

This was a much more successful, and enjoyable experience of the Malcolm McDowell double feature I went to in June.

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In Time After Time Malcolm McDowell plays H.G. Wells, who has created a time machine that Jack the Ripper uses to evade capture. Wells must then pursue the serial killer across time, eventually arriving in San Francisco in the 1970s. The film also stars David Warner, and Mary Steenburgen, to whom McDowell was married. He actually made a very sweet comment during the Q&A that his favorite memory from filming was meeting and falling in love with his now ex-wife.


 


This film was a lot of fun to watch. The idea of H.G. Wells hunting Jack the Ripper is interesting enough on its own, adding in the time travel element kicks it up a notch. It was great to see these two characters react so differently to the new time period, and I thought both actors were good. McDowell was incredibly charming as the slightly bumbling but earnest Wells, and Warner was cool and calculating as Stevenson. Steenburgen was such a bright presence any time she was on screen and you could practically feel the chemistry between her and McDowell radiating off the screen.

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Seeing McDowell as H.G. Wells was a fascinating experience because I’m so used to him in darker, more disturbing roles. Here he got to play innocent and earnest, and I have to say he was quite convincing on both accounts. I highly enjoyed the film, and was glad that it was the second of the double feature as it allowed me to end the night on a high note.


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Cat People (1982) Movie Review

Back in June I went to a double feature of this film and Time After Time, both of which star Malcolm McDowell. He was at the screening, and spoke for about an hour between the films about his experiences making them. He had some great stories and was energetic and highly entertaining.

I’ll be honest, this was a weird film. I’m not quite sure how I feel about it even two months later. I liked some of the stylization choices, like the opening sequence in the desert and the David Bowie theme song.

 

 

The rest of the film is bizarre. A young woman discovering her own sexual awakening is the reincarnation of another woman from a different time. This woman and her brother have lived with an ancient curse that involves turning into panthers when they are too sexually charged. Like I said, it’s weird. It’s also very 80s despite being a remake of 1942 French film (which also explains a lot).

I thought all of the performances were pretty good, and as I mentioned the style of the film was pretty cool but the overall idea just felt hokey. Perhaps the French version is better but this one felt dated in a lot of ways and I just couldn’t get past the whole turning into panthers thing.